You're Invited!
Please join us for our Opening Night
"Japan: A Culture of Quality"
Thursday, July 28th, 6:00 to 9:00PM.
We promise an evening of fun, beauty, great people,
inspired food, refreshing drinks, award-winning music and more.
If you can't make it, the exhibition runs from July 28th through August 30th, 2011.
Hope to see you here!
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Hi Folks!
The weeks fly by, yet even last month seems like
a year ago. Life is full of challenges and fun, projects and beauty. My internal
2011 clock is suspended when I travel. Days, dates, and even seasons slip by almost
unnoticed as I explore and enjoy the diverse cultures of Bali, Thailand, Laos, Montana,
Japan, San Diego, and Bali again.
For years I've waited for the right opportunity
to go to Japan. My patience was rewarded in early March with a cultural buying trip
to Kyoto. It was a profoundly moving experience for me, due both to my experience
of Japan and the chance timing of being there during the tsunami. While I was logistically
unaffected by the tsunami, the emotional and psychological effects were felt around
the world. Life went on, but the streets in Kyoto were empty in the evening as people
absorbed the magnitude of the destruction, staying home with their families in front
of the TV. The Japanese people displayed a level of cultural solidarity and personal
responsibility in the face of unimaginable devastation that perhaps could only happen
in Japan. While no culture is without flaws and foibles, my experience of the Japanese,
both before and after the tsunami, was one of honor, extraordinary personal restraint,
and respect. That's something for us to emulate as we fly through our busy lives,
sometimes making the mistake of thinking we are all that really matters in the universe.
Our July show and party highlight the truly amazing
arts and artifacts of Japan I collected to share with you. In this show, we are
hoping to not only impress you with stunningly beautiful furniture, craft, and art,
but also present a culture as it existed 100 or 150 years ago. While we are by no
means experts in all things Japanese, I'm sure you will be enthralled with what
you see in this new collection. The arts and crafts of Japan are as subtle as they
are profound. The essence of each piece surfaces as one gives more and more time
to looking at treasures such as an iron teapot, a tansu chest, or a folding screen.
Please join us for our Opening Party and Show: Japan, a Culture
of Quality, on July 28th from 6:00 to 9:00PM. We
promise to provide beauty and inspiration, amazing food and great drinks, live music,
demonstrations of Japanese arts and crafts, and great people to share this memorable
evening with. Please feel free to bring a friend or two!
Once again, thank you for being a part of our lives
and our adventure. A new container from Bali and Indonesia also
arrives in early August, filled with things unimagined and joyfully beautiful.
Do stop in and chat with us any time.
With gratitude and warmth,
David and the David Alan Staff
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Japan: A Culture of Quality
continued from sidebar...
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Edo Period: Yakumi Gata
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Rhett (my main contact in Japan and the reason I can behere)
took me to an auction today. In his 20 years of auctions in Japan, he has never
taken anyone else. Having gone today, I understand why. I'm really happy and grateful
for that experience. I'll write more about that later. Working with Rhett is remarkably
easy. It's as if we have been working together for years. No worries, no crossed
messages, just an ease of going through each day together, enjoying the same things
and working with the same challenges. What a gift.
Strangers have been overwhelmingly generous to me.
When we are out buying, often prices are half what Rhett would have expected. I
think people sense my love. We walked into a junk/antique shop today owned by an
old friend of Rhett's. After looking for half an hour and buying a few good pieces
at good prices, I found on a table in the back of the shop, a very small, wooden
folk art animal/toy that appeared to be about a hundred years old. I wanted to ask
about it, but the owner and Rhett were outside talking. I held the toy for a minute
and thought, "If I were to be given a gift, this would be it."
It was an idle thought because that kind of gift
giving is unusual in this situation in Japan. It happens frequently in Indonesia,
but not here. I put the toy back and wandered through the shop
until the owner came back in. A few minutes later, as I was pawing through a stack
of kimonos, the owner touched my arm and held out a small wooden toy to me and said,
"Gift." It was the same toy I'd held and wished for only a few
minutes earlier.
Of the thousands of objects in the shop, she chose
that piece as a gift. Perfectly in tune, that gift was followed by a string of other
gifts, a copper hibachi, Japanese dolls in glass cases and more. Rhett pulled me
aside and asked: "What's with the gifts, man?" I said, "Just a past life connection,
it's OK."
I don't understand what took me so long to get
here. The Japanese aesthetic, the beauty, the off-balance balance, and a hundred
everyday nuances touch me. This is a culture I know I will never truly understand
yet it feels so easy, so natural to me. Japan's everyday rhythms match my own. I
bow and bow again and am happy to be bowing to others. I want to honor each person
whom I meet. Our bows to each other do just that, and
more...
Be well.
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The Gateway to Heaven

On my first morning in Kyoto I walked into an 800-year-old
temple garden. When confronted by the precision of elegantly raked sand, vivid mounds
of spring-green moss, and 400-year old windswept pines, I stood stock still, deeply
touched, and unable to move forward. I'd found perfection. In this garden, man and
nature merged to create a simple, absolute gift. This was one of those rare moments
when thought utterly disappears and inexplicable joy takes its place.
Tears welled up and spilled down my face: "I'm home!" These were
my first thoughts when the sweet shock of ecstasy faded and my thoughts returned.
This experience was what I might imagine stepping through the gates of heaven would
feel like.
The sensation of tears drying on my cheeks reminded me I was
in a public garden, so I moved through the next gate and stepped aside for a group
of high school kids taking photos of themselves, each other, and almost incidentally,
the garden, with frenetic goodwill. They were sweet to watch and I enjoyed the replay
of memories that surfaced from my teens. Having sensed another wave of home/heaven
emotion coming my way, I scanned the garden for a spot to hide and let the beauty
sink in.
I try but can't understand the unbalanced balance of the Japanese
aesthetic, the seemingly effortless perfection that took 700 years of constant attention
to create. Nature, so carefully managed and controlled, became perfectly natural.
My thoughts were again forgotten as a group of multicolored koi swam past me and
under a small, arched, 600-year-old stone bridge, only to disappear quickly around
a bend in the stream.
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"Take 99" Wrap Up

"Take 99", our Elephant Show in April was a huge success.
Thank you for coming to the opening and buying elephants. The eight, happy
Balinese who won the prizes for best elephants were honored at a dinner in late
May in Ubud, Bali where I presented the awards and cash prizes. I think the awards
and recognition were more valued than the money.
It was a sweet, memorable evening for us all. In addition, the
foundation, IGNITE: A Foundation for Learning
(www.igniteafl.org) was presented with a
check for over $1,500 derived from sales of the elephants. This donation will be
used in our school for severely underprivileged children in Delhi, India.
Thanks again for contributing to a fun project benefiting so many people
in Bali and India.
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Bali's Beloved Ducks

The rice was planted two different times in front of the villa
this season with some fields being harvested a few weeks before the others. The
harvested areas are being gleaned by huge squadrons of ducks, while the rest of
the rice is still ripening and awaiting the scythe.
For some reason this season there are no morning bird-chasers
out in the fields, shouting, banging garbage can lids, and waving flags on long
poles to chase away the wild birds who steal the precious rice. While the bird-chasers
make a good story, the noise disturbs my morning contemplation of the universe,
so I'm grateful for the break in that rice field routine.
The morning remains quiet...until the ducks are sent out on
their daily sortie. The ducks' performance varies minute to minute, from military
precision to quacking chaos. They line up in ranks and charge
over the rice field terrace walls to conquer new territory, screaming their unlikely
battle cry. Once the field is secured, quiet descends as they
get down to the serious task-at-hand of eating fallen rice from the muddy soup the
fields have become. They eat and they contribute to the fertility of the fields
in almost equal measure. The ducks' by-product is the reason for their existence
in the farmer's eyes. That and duck soup or grilled sate the family will enjoy sometime
in the future.
With enough territory conquered and explored for the day, the
ducks again gather back into formation and march along the foot wide rice field
dikes on their way to the duck-barracks for some quiet quacking until dark, some
shut eye, and the chance to do it all over again tomorrow, if they're lucky.
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Japan:
A Culture of Quality
Below is an excerpt from a letter I wrote home to America while I was in Japan in
early March 2011, a day before the earthquake and tsunami hit.
Japan, at last, I've come home (to you). As I walk
the streets, visit galleries, ware- houses, and auctions, I feel I know these gardens,
and temples. I get chills of awe and recognition hourly. As I wander though a 700-year-old
temple garden, I'm stopped in my tracks by a flash of sunlight
filtered though the bare trees landing on a bed of moss so green it glows. Tigers
come alive for me on a 200-year-old folding screen. Temple bells ring long and true.
I'm home.
At a bank I stop to cash some US dollars into Yen.
The young clerks never walk; they trot from one part of the bank to another, even
from one desk to another. The trot has an energetic, alert, graceful feel to it,
alive, not rushed. It makes me smile. A small spark of joy is lit, leaving a sweet
memory. I'm out of the bank, Yen in hand, in a mere twenty minutes.
continued
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